Unseen for many years these four made-for-TV Christmas Carry On spectaculars feature favourite stories and timely traditions including Treasure Island A Christmas Carol pantomime and much more in the only way the Carry On team know how... pure slapstick comedy and scripts full of trademark innuendo! This is Carry On at its Christmas best! Carry On Christmas 1969: sees Sid James Barbara Windsor et al in a re-working of literary classic 'A Christmas Carol' - obviously thou
Welcome back to sleepy Holmfirth in the lovely quiet Yorkshire Dales - the ideal place to spend a lovely quiet birthday. So how will Clegg feel when the entire village dresses up to help him celebrate his? Indeed dressing up seems to be all the rage hereabouts. There's Nora for one gone all Victorian. There's Marina the blushing bride. There's Howard in uniform. And Barry the cowboy kid. Then there's Smiler who looking for love has only gone and found himself a gold-digger called Bessie. Who could possibly dig him out of this little hole? Step forward Clegg Holmfirth's financial adviser extraordinaire...
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
In mid-1800's England Oscar (Ralph Fiennes) is a young Anglican priest a misfit and an outcast but with the soul of an angel. As a boy even though from a strict Pentecostal family he felt God told him through a sign to leave his father and his faith and join the Church of England. Lucinda (Cate Blanchett) is a teenaged Australian heiress who has an almost desperate desire to liberate her sex from the confines of the male-dominated culture of the Australia of that time. She buys a
Cheated out of his rightful inheritance after being kidnapped young David Balfour joins forces with daring adventurer Alan Breck Stewart and together they flee across the Highlands to evade the King's redcoat forces...
Book One of the 1976 American mini series adapated from the novel by Irwin Shaw that made Nick Nolte a star. Two strong-willed brothers battle for the attention of their parents and as World War II ends begin a 20-year odyssey that will take one to great wealth and power and the other to the brink of destruction. Rudy (Peter Strauss) and Tom (Nick Nolte) Jordache the sons of an immigrant family are both fighting to gain the attention of their bitter and disillusioned parents (Ed
Long before The Full Monty there was this lovely fish-out-of-water comedy by deft Scots writer-director Bill Forsyth (Gregory's Girl). Set in the 1980s during a period of controversy over North Sea oil drilling, Local Hero follows a likeable, woolly American junior executive (Peter Riegert) dispatched from Texas by his blustering boss (a high-spirited Burt Lancaster) to a small fishing village on the coast of Scotland for the purpose of swindling the presumably simple-minded locals out of their drilling rights. The surprise isn't that the villagers turn the tables on the American schemers, but that they do so without displaying a hint of malice. They get a kick out of flummoxing the city slickers. Even Lancaster's greed-head Felix Happer eventually has a change of heart. In outline, this may sound more ordinary than it feels as you're watching it. The fine young British actor Denis Lawson, who had a tiny role as one of the fighter pilots in Star Wars plays Riegert's UK contact, Gordon Urquhart, a sad sack with a noble soul. --David Chute
Ray Galton and Johnny Speight, two of Britain's most successful comedy writers, teamed up to create this Top 20-rated, wryly comic look at daily life in a suburban police station where corruption is rife and unenlightened attitudes abound. Lasting three series and paying homage to the immortal Will Hay, Spooner's Patch stars Ronald Fraser (in series one only) and Donald Churchill as the eponymous police inspector, alongside sitcom stalwarts Norman Rossington, Peter Cleall and Patricia Hayes...
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
The acclaimed 1967 BBC adaptation of the Charles Dickens classic, Great Expectations is now available to own on DVD for the first time. Starring BAFTA-winner Francesca Annis (Home Fires), Gary Bond (Zulu), Hannah Gordon (The Elephant Man) and BAFTA-nominee Peter Vaughan (Game of Thrones) Young Philip Pirrip (Christopher Guard) universally known as Pip encounters escaped convict Magwitch (John Tate) in a deserted graveyard, and helps him find food and escape his shackles. When his kindness is later rewarded by an unexpected inheritance, the adult Pip (Gary Bond), surrounded by home comforts, grows mean and arrogant and smitten with the aloof Estella (Francesca Annis).Maxine Audley plays vindictive recluse Miss Havisham, who has raised Estella to distrust all men. Written by acclaimed playwright Hugh Leonard, who adapted many of Dickens books for TV and the stage, this is a delightful cautionary tale of the power of wealth to corrupt and betray.
The Abominable Dr Phibes is an unusually beautiful horror classic in which Vincent Price stars as the titular genius who specialises in organ music, theology and concocting bizarre deaths for anyone who wrongs him. Discovering why is half the fun, so for now let's just say that Phibes is a little mad and very, very angry. Aided by his assistant, the lovely, silent Vulnavia, Phibes begins cutting a gory swathe through London's medical community, with the dogged Inspector Trout hot on his tail. The film contains many pleasures--exquisite art direction and a dark sense of humour among them--but the real treat is in watching an old pro such as Price at work. Whether he's playing his organ, staring down a victim or drinking through his neck, Price is at the top of his game. He mixes dark menace with wry comic touches, revealing both Phibes' maniacal obsession and offhanded confidence in his own genius. Settle in for an evening of elegant gore--and if an attractive, mute deliverywoman comes to the door, whatever you do, don't answer! --Ali Davis
A typically bored affluent Californian housewife's world of domestic oblivion careers off its axis when she develops a mystery illness that puts her at odds with every aspect of the world around her - cars dry cleaners hair perms and even the new couch! Gradually she develops nosebleeds vomiting and breathing problems and finally collapses. In a desperate search for what is 'safe' she opts for virtual isolation in a porcelain igloo in the Texas desert where the inhabitants drag round oxygen cylinders and the therapists act like evangelical preachers. Injected with horror comic touches and psychological suspense Safe is a visionary tale of the future. Has Carol brought her sickness upon herself or is she made vulnerable by a world that is more dangerous than we or she understands?
This box set features the entire first series of the classic British Television drama Inspector Morse. Episodes comprise: 1. The Dead of Jericho: Morse who never quite finds romance thinks that at last things will turn out differently when he meets beautiful Anne Stavely (Gemma Jones). But it is a love destined not to be when Anne is found hanging from a beam in mysterious circumstances. Morse suspects murder and sets out to discover the truth. Joining him is Serg
When a doctor is killed at a mental asylum the evil Baron Frankenstein seizes the chance to transplant his brain into the meek body of Doctor Richter. But the bloody operation creates an entity of evil which shatters the lives of everyone...
A groundbreaking comedy and a subtle satire of the UK building industry in the 1960s (which is still frighteningly relevant today!) an excellent cast of comedians in their early days (Ronnie Barker Richard Briers Peter Butterworth Bernard Cribbins) will have you rolling in the aisles!
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
SALUTE chronicles Peter Norman's involvement in the infamous Black Power salute at the 1968 Olympics. The true story of an unsung Australian hero.
Inspector Morse provides all the period cosiness of an Agatha Christie costume drama but in an apparently modern setting. Morse is a contemporary detective with all the nostalgic appeal of Poirot or Sherlock Holmes, an anachronistic throwback who drives a classic car, listens to Wagner on LP, quaffs real ale in country pubs or single malt at home and quotes poetry whenever occasion arises (at least once or twice an episode). His much put-upon sidekick Segeant Lewis (Kevin Whateley) is the bemused ordinary copper who acts as a foil for his artistic and academic passions, and not incidentally allows the writers to explain any possibly obscure or learned references to the TV audience. With plots of crossword puzzle-like intricacy, top-drawer thespian guest stars, loving views of quintessentially English Tourist Board Oxfordshire countryside and literate screenplays from such luminaries as Malcom Bradbury, the show was a sure-fire hit across middle England.In 1994, after four successful series, John Thaw moved on to other projects (initially, the disastrous A Year In Provence) but always left the door open for more Morse. "The Remorseful Day" is, however, positively his final appearance. The story opens dramatically with a montage of kinky sex and murder, before settling down into a leisurely exploration of leads that might or might not be red herrings. More murders follow, naturally, as the story adds yet more twists. But this time things are different: Morse, on the very eve of retirement, is gravely ill. Convalescing at home he consoles himself with bird watching and a newly acquired CD player, but he is more than usually irritable and relations with Lewis, who is impatiently awaiting his own promotion to Inspector, are strained. Could Morse himself be the murderer? Certainly Chief Superintendent Strange (James Grout) is worried. The ultimate resolution of the case takes second place to the show's finale, which will be no surprise to anyone who has read Colin Dexter's novel. A poignant and dignified end to the casebook of a much-loved detective.On the DVD: This disc also includes a 96-minute appreciation of the Morse phenomenon, "Rest in Peace", presented by James Grout who plays Chief Superintendent Strange in the series, plus a music video of the Morse theme tune, "Yesterday is Here". --Mark Walker
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